Film News

• ‘The Samurai and the Prisoner’ Review: Kiyoshi Kurosawa’s Samurai Murder-Mystery Needs a Sharper Blade
  Indie Wire
• Mike Leigh Says ‘Tender Loving Care’ Is Most Likely His Final Film Due to Illness
  Indie Wire
• ‘Elsinore’ with Andrew Scott and Olivia Colman Gets November Release Date and First Look Ahead of TIFF
  Indie Wire
• One of Joan Crawford’s Best Movies Is Available for the First Time in 90 Years
  Indie Wire
• Tony Gilroy’s ‘Behemoth!’ to World Premiere as New York Film Festival Centerpiece
  Indie Wire
• ‘Barbara Forever’ Trailer: A Documentary as Radical as the Lesbian Avant-Garde Filmmaker It’s About
  Indie Wire
• ‘Spider-Man: Brand New Day’ Review: The MCU Wastes Its Chance for a Fresh Start with a Dull and Downbeat Sequel
  Indie Wire
• ‘Sour Minnows’ Review: A Hypnotic Horror Movie About Being Human When Nothing Feels Real
  Indie Wire
• It May Take More Than 10 Years for Nolan’s ‘The Odyssey’ to Impress Classicists Like Translator Emily Wilson
  Indie Wire
• Sundance Names Six Fellows for 2026 Trans Possibilities Intensive
  Indie Wire
• Seeing the Daytime and Primetime Emmys as Equal Could Help Great TV Survive
  Indie Wire
• ‘Hadestown’ Didn’t Put Up ‘The Odyssey’ Numbers, but the Musical Had a Historic Box Office Weekend
  Indie Wire