Film News 2026-09-12

• ‘The Stunt Driver’ Review: Jay Baruchel Plays a Canadian Daredevil Trying to Pull Off an Impossible Stunt in a Fun 1970s Throwback
  Indie Wire
• ‘Trash Mountain’ Review: Caleb Hearon Turns Leading Man in This Gentle Coming-of-Age Dramedy
  Indie Wire
• Fall Festival Movies Sold So Far: ‘Rapinoe’ About US Women’s Soccer Icon Lands at HBO Documentary Films
  Indie Wire
• Is Josh Giuliano the Next Curry Barker or Kane Parsons? Blumhouse Atomic Monster Seems to Think So
  Indie Wire
• From Nathan Fielder’s Buzzy Elizabeth Holmes Doc to Robert Pattinson’s Divisive ‘Primetime’: Venice and Telluride’s Winners and Losers
  Indie Wire
• ‘The Housewife’ Review: Naomi Watts Stuns, but This True Story Flounders Under Its Own Weight
  Indie Wire
• ‘Makikiraan Po (Let Us Through, Dear Ancestors)’ Review: Lav Diaz and Isabel Sandoval Team Up for a Mournful, Modest Anti-Colonial Drama
  Indie Wire
• ‘American Hostage’ Review: Jon Hamm Anchors a Tepid Period Drama on Timely Threats to the Fourth Estate
  Indie Wire
• ‘Lovers in the Blue Night’ Review: Anuparna Roy Returns with a Dreamy, Pained Drama About Desire and Displacement
  Indie Wire
• ‘A Bit of Light’ Review: Ali Asgari’s Iranian Answer to ‘It’s a Wonderful Life’ Is a Bit of a Miracle
  Indie Wire
• ‘One Minute to Midnight’ Review: Melvil Poupaud Reckons with His Past in a Too-Talky Parisian Drama
  Indie Wire
• How Mark Zuckerberg’s Doomsday Escape Plan and ‘Eyes Wide Shut’ Inspired Florian Zeller to Create ‘Bunker’ for Penélope Cruz and Javier Bardem
  Indie Wire