Film News 2026-07-22

• ‘Big Break’ Review: Sketch Comedy Group Simple Town Just Made a Killer Observation About Success
  Indie Wire
• Will the Emmys Bring Back Cut Categories? History Provides Hope
  Indie Wire
• ‘King of the Hill,’ TV Revivals in the Streaming Era, and Why Viewers Don’t Stick Around for Season 2s
  Indie Wire
• What the Merging of Two Major Completion Bond Guarantors Means for Indie Films
  Indie Wire
• The Best ‘Odyssey’ Adaptations That Aren’t by Christopher Nolan — Including, Yes, ‘The SpongeBob SquarePants Movie’
  Indie Wire
• ‘Rosebush Pruning’ Review: This Ravishing Yet Perverse Family Affair Doesn’t Know What It Wants to Be
  Indie Wire
• Critics Called ‘After Dark, My Sweet’ One of the Best Films of 1990. 36 Years Later, Audiences Are Finally Catching Up
  Indie Wire
• ‘Characters Disappearing’ Review: Connor Sen Warnick’s Debut Presents a Timeless and Demure Vision of Revolutionary Chinatown in the 1970s
  Indie Wire
• ‘The Dink’ Review: Jake Johnson Discovers the Joys of Pickleball in a Sweet Apple TV Comedy
  Indie Wire
• Ava DuVernay’s Birthright Citizenship Doc ’14th’ to Close New York Film Festival
  Indie Wire
• TIFF Reveals Platform Lineup of 12 Films from the Next Generation of Auteurs
  Indie Wire
• Does the Epic Adventure of ‘The Odyssey’ Really Demand an Epic Format Like IMAX?
  Indie Wire