Film News 2026-07-20

• ‘Avatar Aang: The Last Airbender’ Review: A Sequel Film to the Beloved Animated Series Captures Its Beauty, but Not Its Spirit
  Indie Wire
• Inside the ‘Interview with the Vampire’ Season 3 Finale, Where the Series Loses Its Head and Finds Lestat’s Truth
  Indie Wire
• TIFF Galas and Special Presentations Include Cannes Hits Like ‘Fjord,’ ‘Club Kid,’ ‘Minotaur,’ ‘La Bola Negra,’ and More
  Indie Wire
• Netflix and ASL Company SignUp Media Are Making Hundreds of Hours of Kids Programming More Accessible
  Indie Wire
• 1977’s Animated ‘The Hobbit’ Proves the Right Hero’s Journey Can Be Taken Again and Again
  Indie Wire
• Danny Boyle’s ‘Ink’ Sells to Netflix in First Big Sale (Way) Ahead of Venice Premiere
  Indie Wire
• ‘The Doomies’ Could Be the Spiritual Successor to ‘Gravity Falls’ That Animation Needs
  Indie Wire
• Filmmaker Josh Fox Knows All About the ‘Unfolding Disaster of Climate Change’ — His New Doc Tackles It from the Human Side
  Indie Wire
• What ‘The Odyssey’ Gets Right and Wrong About Homer — and Also, Who Cares?
  Indie Wire
• Trump’s Attacks on Elections Began with a Lost Emmy
  Indie Wire
• ‘The Kidnapping of Arabella’ Review: Chris Pine Speaks Fluent Italian in a Quirky Road Movie That Offers Equally Unexpected Surprises at Every Turn
  Indie Wire
• Showrunner Nick Antosca Brings the ‘Blunt Force Trauma’ of Martin Scorsese’s ‘Cape Fear’ Into the 2020s
  Indie Wire