Film News 2026-07-11

• ‘Evil Dead Burn’ Just Made Sam Raimi’s Profoundly Silly ‘Army of Darkness’ Essential Viewing Again
  Indie Wire
• When It Comes to Animation, the Emmys Play Things Too Safe — Opinion
  Indie Wire
• ‘Reading Lolita in Tehran’ Review: A Beloved Literary Memoir About Rebellion Through Reading Gets a Straightforward Cinematic Treatment
  Indie Wire
• Physical Media Matters, Now More Than Ever
  Indie Wire
• The Production Design of ‘Cape Fear’ Hangs Dread in Its Spanish Moss
  Indie Wire
• Neon Sells Significant Stake to ‘The Christophers’ Producers Department M, Launches Neon TV
  Indie Wire
• The Summer’s Most Beautifully Strange New Movie Is from 1998: Tsai Ming-liang’s ‘The Hole,’ in U.S. Theaters for the First Time
  Indie Wire
• How Netflix’s ‘Little House on the Prairie’ Reboot Reframes Its Iconic Story Through Indigenous Eyes
  Indie Wire
• Letterboxd Sale Talks Are Heating Up
  Indie Wire
• Why ‘Industry’ Got Robbed at the Emmys, and More Thoughts on This Year’s TV Nominations
  Indie Wire
• Olivia Wilde’s ‘The Invite’ Masters Its (Very) Limited Space
  Indie Wire
• ‘Remake’ Review: Documentarian Ross McElwee Honors the Memory of His Late Son by Chronicling Their Onscreen Relationship
  Indie Wire