Film News 2026-07-03

• There Will Never Be Another ‘Cannibal Holocaust’ — and Now It’s Screening in Its Definitive Edition
  Indie Wire
• How ‘Jackass’ Evolved: From the MTV Series to ‘Best and Last’ Movie
  Indie Wire
• Our Emmys Dream Ballot: The 2026 TV Series That Deserve Awards Love
  Indie Wire
• ‘Silo’ Exits Its Titular Location, as Season 3 Turns Into a Riveting Political Thriller with a Brand New Timeline
  Indie Wire
• Fantasia’s 30th Edition Will Open with Nicolas Winding Refn’s ‘Her Private Hell’ — Final Lineup
  Indie Wire
• ‘Backrooms’ and ‘Obsession’ Aren’t the Year’s Only Box Office Horror Hits
  Indie Wire
• What’s a CAA? VidCon, Cannes Lions, and Hard Questions
  Indie Wire
• The Australian Gothic Costumes of ‘Leviticus’ Deliver Yearning as Vast as the Outback
  Indie Wire
• ‘Minions & Monsters’ Review: Illumination’s Mascots Prove Surprisingly Charming in a Golden Age of Hollywood-Inspired Throwback
  Indie Wire
• Alamo Drafthouse to Release Undistributed Festival Films, Starting with Butthole Surfers Documentary
  Indie Wire
• Why ‘Jaadugar: A Witch in Mongolia’ Could Be 2026’s Most Fascinating Historical Anime
  Indie Wire
• Indie Specialized Box Office Chart: Olivia Wilde’s ‘The Invite’ Outpaces Other A24 Platform Openings
  Indie Wire