Film News 2026-07-02

• What’s a CAA? VidCon, Cannes Lions, and Hard Questions
  Indie Wire
• The Australian Gothic Costumes of ‘Leviticus’ Deliver Yearning as Vast as the Outback
  Indie Wire
• ‘Minions & Monsters’ Review: Illumination’s Mascots Prove Surprisingly Charming in a Golden Age of Hollywood-Inspired Throwback
  Indie Wire
• Alamo Drafthouse to Release Undistributed Festival Films, Starting with Butthole Surfers Documentary
  Indie Wire
• Why ‘Jaadugar: A Witch in Mongolia’ Could Be 2026’s Most Fascinating Historical Anime
  Indie Wire
• Indie Specialized Box Office Chart: Olivia Wilde’s ‘The Invite’ Outpaces Other A24 Platform Openings
  Indie Wire
• Hudson Film Festival Reveals 2026 Lineup with ‘Filipiñana,’ ‘Barbara Forever,’ and More
  Indie Wire
• A Trojan Horse Only Works Once: Why Universal’s Decision to Skip Influencer Screenings for ‘The Odyssey’ Is Good for the Entire Movie Business
  Indie Wire
• The Five Performances of 2026 (So Far) That Have Oscar Potential
  Indie Wire
• ‘Enola Holmes 3’ Review: Millie Bobby Brown’s Charming Young Detective Saga Has Some Growing Pains
  Indie Wire
• Luca Guadagnino’s Sam Altman Movie ‘Artificial’ Picked Up by Neon After Being Dropped by Amazon MGM
  Indie Wire
• Lucio Castro on the Time-Bending Queer Desire of ‘Drunken Noodles’ — and the Personal Tragedy That Inspired His Next Movie
  Indie Wire