Film News 2026-06-10

• 3D Printers and a Wig Archive Help the ‘SNL’ Hair and Makeup Team Go Wilder Than Ever
  Indie Wire
• A24 Releases $200 Million Movies Now
  Indie Wire
• The Best Case for Competition in Streaming? Netflix’s ‘Michael Jackson: The Verdict’ — Opinion
  Indie Wire
• Slicing and Dicing ‘Dexter’ from the Writers’ Room to the Editing Room
  Indie Wire
• Tom Hiddleston on Why John le Carré’s ‘The Night Manager’ Took a Decade to Return — and Why It Was Worth the Wait
  Indie Wire
• What ‘The Chair Company’ Has in Common with — of All Things — ‘Prisoners’
  Indie Wire
• ‘Saturday Night Live’ Director Liz Patrick Still Has Questions About Bowen Yang’s Final Sketch
  Indie Wire
• No One Turns Female Competition Into Terrifying Cinema Quite Like Sophia Takal
  Indie Wire
• Michael Mann’s ‘Manhunter’ Set to Return to Theaters on Its 40th Anniversary, Now with a New ‘Final Cut’
  Indie Wire
• ‘Disclosure Day’ Review: Steven Spielberg Fights Back Against Cynicism in a Giddy Alien Blockbuster About How No One Is Alone in the Universe
  Indie Wire
• ‘Stop! That! Train!’ Review: ‘RuPaul’s Drag Race’ Comes to the Big Screen as a Throwback Spoof Film
  Indie Wire
• ‘The Kidnapping of Arabella’ Trailer: ‘Amanda’ Director Carolina Cavalli Returns with Another Winsome (and Venice-Winning) Comedy
  Indie Wire