Film News 2026-06-09

• ‘The Beauty’ Costume Designer Explains the Show’s Cinematic Influences — and When She Broke from Them
  Indie Wire
• ‘Industry’ Titans: How Myha’la and Marisa Abela Evolved Into the ‘Emotional Axis’ of the HBO Series
  Indie Wire
• Watch ‘Love Story’ Costume Designer Rudy Mance Explain the ‘Crazy, Obsessive’ Lengths He Went to Recreate Iconic Looks
  Indie Wire
• ‘Ocean with David Attenborough’ Director Keith Scholey Explains Why Everyone Should Be Hopeful About Ocean Conservation
  Indie Wire
• The New ‘Cape Fear’ Series Builds on the Martin Scorsese Classic and Brings the Heat
  Indie Wire
• Making a Film with My Father Helped Me Fall in Love with Acting Again
  Indie Wire
• Tracy Morgan and the ‘Reggie Dinkins’ Team on What It Takes to Make a Joke-Heavy Sitcom That Still Hits Home
  Indie Wire
• Writers Guild Foundation, USC, and More Join Partner Program for Academy’s Nicholl Fellowship Submissions
  Indie Wire
• The Stars of ‘Stop! That! Train!’ Open Up About the First Movie from the ‘RuPaul’s Drag Race’ Universe
  Indie Wire
• ‘Alice and Steve’ Review: Nicola Walker Burns the House Down as a Jilted Best Friend in Hulu’s Sly Comedy
  Indie Wire
• ‘Here I’m Alive’ Review: ‘Menashe’ Director Joshua Z. Weinstein Returns with a Microbudget ‘Magnolia’ for the Age of Hypernormalization
  Indie Wire
• Rebecca Miller Pays Tribute to Martin Scorsese for His ‘Immense Honesty and Fearlessness’
  Indie Wire