Film News 2026-06-08

• Rebecca Miller Pays Tribute to Martin Scorsese for His ‘Immense Honesty and Fearlessness’
  Indie Wire
• The ‘Ted’ VFX Team Had to Improvise Like Jazz Musicians
  Indie Wire
• Katie Dippold Says ‘Failure and Rejection Can Be a Gift’ While Accepting Award with ‘Widow’s Bay’ Partner Hiro Murai
  Indie Wire
• ‘Wonder Man’ Co-Creators Destin Daniel Cretton and Andrew Guest Talk Finding Artistry Within Hollywood’s Biggest Franchises
  Indie Wire
• ‘Spider-Noir’ VFX Supervisor Explains the ‘Dogmatic’ Approach That Kept the Show’s Most Intricate Sequences Together
  Indie Wire
• ‘The Vampire Lestat’ Review: Sam Reid Reigns Over a Berserko Camp Remix of ‘Interview with a Vampire’
  Indie Wire
• ‘Long Story Short’ Creator Raphael Bob-Waksberg Knows It’s Best to ‘Find Meaning in the Work Itself’
  Indie Wire
• ‘The Last Day’ Review: Alicia Vikander Leads This ‘Mrs. Dalloway’ Interpretation, but Victoria Pedretti’s Performance Steals the Show
  Indie Wire
• Jason Blum and James Wan Break Down ‘Backrooms,’ ‘Obsession,’ Box Office, and Hollywood’s Horror Craze
  Indie Wire
• ‘The Fall and Rise of Reggie Dinkins’ Star Erika Alexander Reclaims ‘Ride the Maverick’
  Indie Wire
• The VFX Magic in ‘The Boroughs’ Was Made Possible Through Lots of ‘Homework’
  Indie Wire
• Jack Thorne and David McKenna Accept the Wavelength Award for the ‘Little Old Irish Granny’ in All of Us
  Indie Wire