Film News 2026-06-07

• ‘The Last Day’ Review: Alicia Vikander Leads This ‘Mrs. Dalloway’ Interpretation, but Victoria Pedretti’s Performance Steals the Show
  Indie Wire
• Jason Blum and James Wan Break Down ‘Backrooms,’ ‘Obsession,’ Box Office, and Hollywood’s Horror Craze
  Indie Wire
• ‘The Fall and Rise of Reggie Dinkins’ Star Erika Alexander Reclaims ‘Ride the Maverick’
  Indie Wire
• The VFX Magic in ‘The Boroughs’ Was Made Possible Through Lots of ‘Homework’
  Indie Wire
• Jack Thorne and David McKenna Accept the Wavelength Award for the ‘Little Old Irish Granny’ in All of Us
  Indie Wire
• ‘IT: Welcome to Derry’ VFX Supervisor: Some of the Show’s Best Shots Were Improvised at Three in the Morning
  Indie Wire
• ‘Challenge Accepted’ Host Michelle Khare Has ‘Never Been More Proud to Say I’m a YouTuber’
  Indie Wire
• What You Need to Know About ‘Interview with the Vampire’ to Prepare for ‘The Vampire Lestat’
  Indie Wire
• Asif Ali and Saagar Shaikh Celebrate Their IndieWire Breakthrough Award in Hilarious Speech: ‘We Broke Through That Bitch’
  Indie Wire
• You Won’t Stop Quoting Steven Seagal and Keenen Ivory Wayans Once You See ‘The Glimmer Man’
  Indie Wire
• Inside a Night of Jokes and Gems About the Changing TV Landscape at IndieWire Honors
  Indie Wire
• How ‘Tuner’ Sound Designer Johnnie Burn’s Temporary Deafness Inspired One of the Year’s Most Ambitious Soundscapes 
  Indie Wire