Film News 2026-06-06

• Inside a Night of Jokes and Gems About the Changing TV Landscape at IndieWire Honors
  Indie Wire
• How ‘Tuner’ Sound Designer Johnnie Burn’s Temporary Deafness Inspired One of the Year’s Most Ambitious Soundscapes 
  Indie Wire
• Classical Music with an Indie Rock Edge: The ‘Down Cemetery Road’ Score Has as Many Twists as the Show
  Indie Wire
• ‘Jinsei’ Review: The Century-Spanning Lives of a J-Pop Star Fill a Masterfully Bizarre Anime Epic
  Indie Wire
• Michelle Pfeiffer Reflects on a Career Defined by Curiosity While Accepting IndieWire’s Vanguard Award
  Indie Wire
• Charles Melton Explains Why ‘Beef’ Season 2 Was a Role That Found Him at ‘Exactly the Right Moment’
  Indie Wire
• Rhea Seehorn Uses Her Own Acceptance Speech to Hail the Team Behind ‘Pluribus’: ‘Performances Don’t Happen in a Vacuum’
  Indie Wire
• Nicolas Cage Is Looking Forward to ‘Expressing My Performance Dreams’ with Much More TV
  Indie Wire
• ‘Popstar’ at 10: The Lonely Island Reveal How Their Musical Mockumentary Became a Cult Classic
  Indie Wire
• ‘The Long Haul’: What Trucking Taught Me About Making an Independent Film
  Indie Wire
• Jason Blum and James Wan Break Down ‘Backrooms,’ ‘Obsession,’ Box Office, and Hollywood’s Horror Craze
  Indie Wire
• ATX TV Festival Crowns First-Ever Indie TV Pilot Competition Winner
  Indie Wire