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Film News 2026-05-27
‘Pressure’ Review: Brendan Fraser’s General Eisenhower Drowns in Dull D-Day Weather Drama
Indie Wire
‘Obsession’ Did Something at the Box Office That Hasn’t Been Done Since… ‘Sound of Freedom’
Indie Wire
‘One Battle After Another’ to Screen in 35mm for the First Time at Quentin Tarantino’s New Beverly Cinema
Indie Wire
What a Spider Can Teach Cinematographers About Film Noir
Indie Wire
Yahya Abdul-Mateen II Unveils the Secret to ‘Wonder Man’: ‘It Never Starts with the Powers’
Indie Wire
What No One Tells You About Short Films: Practical Advice on Festivals, Visibility, Streaming, and Sales
Indie Wire
Families, Not Fanboys, Drove ‘The Mandalorian and Grogu’ Box Office — and Disney Is Fine with That
Indie Wire
Paul Rudd Talks ‘Power Ballad,’ Staying Curious, and Realizing He Killed Michael Myers
Indie Wire
Creating an Outrageous Character Like ‘Ted’ Required Discipline and Restraint
Indie Wire
Toronto Is Getting Serious About Christopher Nolan Summer
Indie Wire
‘Backrooms’ Director Kane Parsons Had to Choose Between College Apps and an A24 Deal
Indie Wire
The 18 Best Movies We Saw at the 2026 Cannes Film Festival
Indie Wire
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