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Film News 2026-05-22
With ‘Clarissa,’ Two Nigerian Brothers Are Forging an Arthouse Alternative to Nollywood
Indie Wire
To Financiers, Films Are No Longer the Product. Relationships with Audiences Are
Indie Wire
Ira Sachs Cast Rami Malek to Sing in ‘The Man I Love’ Without Seeing ‘Bohemian Rhapsody’
Indie Wire
Cannes 2026 Movies Sold So Far: Critics’ Week Winner ‘La Gradiva’ Bought by 1-2 Special
Indie Wire
Billy Bob Thornton Relishes His Magic Hour Moment with Ali Larter in the ‘Landman’ Season 2 Finale
Indie Wire
Lawrence Kasdan’s Relationship with One of His Best Friends Yielded One of His Best Movies
Indie Wire
How a Tribe of Cinematographers Shoot ‘Survivor’ — 50 Times Over
Indie Wire
‘Victorian Psycho’ Review: Maika Monroe Scares Up a Very Different Kind of Final Girl
Indie Wire
‘A Man of His Time’ Review: Swann Arlaud Plays a Fly on the Wall to Creeping Fascism
Indie Wire
‘Roma Elastica’ Review: Marion Cotillard Is a Dying Scream Queen in Bertrand Mandico’s Film Industry Pastiche
Indie Wire
‘La Gradiva’ Review: Cannes Critics’ Week Winner Is a Wholly Transporting Story of Youth
Indie Wire
‘The Black Ball’ Review: Los Javis’ Era-Spanning Monument to Gay Storytellers Is a Heartbreaking Work of Staggering Genius
Indie Wire
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