Film News 2026-05-17

• ‘Hope’ Review: Na Hong-jin’s Blockbuster Creature Feature Is Undone by a Terrible Script and Some of the Worst CGI Since ‘The Mummy Returns’
  Indie Wire
• ‘Another Day’ Review: A Fantastic Adèle Exarchopoulos Boozes Her Way Through a By-the-Numbers Addiction Drama
  Indie Wire
• ‘Avedon’ Review: Ron Howard’s Portrait of an Icon Who Shot Portraits of Icons
  Indie Wire
• ‘Colony’ Review: Yeon Sang-ho’s Latest Zombie Saga Paints Civilizational Collapse with Too Broad a Brush
  Indie Wire
• ‘Don’t Suck’ Trailer: Jeff Hiller Joins Cast of YouTube Web Series for Season 2
  Indie Wire
• ‘I’ll Be Gone in June’ Review: Two Teenagers Grapple with Otherness in Katharina Rivilis’ Spellbinding 9/11 Time Capsule
  Indie Wire
• Kenneth Longergan Sets First Film in a Decade, ‘Tomorrow Is a Drag,’ with Aubrey Plaza and Adam Driver Attached to Star
  Indie Wire
• Who Will Win the Cannes Film Festival Palme d’Or?
  Indie Wire
• ‘The Beloved’ Review: Javier Bardem Is a Hotheaded Director in Spanish Daughter-Daddy Drama in Search of a Better Script
  Indie Wire
• ‘Paper Tiger’ Review: Adam Driver Gives a Career-Best Performance in James Gray’s Devastating Tragedy
  Indie Wire
• Asghar Farhadi Lives in Iran, but Won’t Make Movies There
  Indie Wire
• How Aleshea Harris Combined Influences from Across History to Create Her Tragic, Absurd Debut ‘Is God Is’
  Indie Wire