Film News 2026-05-16

• ‘Paper Tiger’ Review: Adam Driver Gives a Career-Best Performance in James Gray’s Devastating Tragedy
  Indie Wire
• Asghar Farhadi Lives in Iran, but Won’t Make Movies There
  Indie Wire
• How Aleshea Harris Combined Influences from Across History to Create Her Tragic, Absurd Debut ‘Is God Is’
  Indie Wire
• ‘The Diary of a Chambermaid’ Review: Radu Jude Delivers a Surprisingly Touching Meta-Adaptation
  Indie Wire
• ‘Atonement’ Review: Emotionally Powerful Anti-War Film Shows That Bullets Fire Both Ways
  Indie Wire
• ‘Sheep in the Box’ Review: A Married Couple Adopt a Robot Copy of Their Dead Son in Hirokazu Koreeda’s Emotionally Stilted Riff on ‘A.I.’
  Indie Wire
• ‘La Libertad Doble’ Review: It’s ‘Slow Cinema: The Return’ in Lisandro Alonso’s Latest
  Indie Wire
• ‘Forever Your Maternal Animal’ Review: Three Costa Rican Women Are Adrift in Valentina Maurel’s Ambiguously Rousing Family Drama 
  Indie Wire
• Crash Out with ‘Maximum Overdrive’: Director Stephen King’s One and Only Feature Film
  Indie Wire
• ‘Outlander’ Stars Caitríona Balfe and Sam Heughan Bid an Emotional Farewell to the Series — and React to the Finale
  Indie Wire
• ‘Gentle Monster’ Review: Léa Seydoux Learns the Truth About Her Husband in Marie Kreutzer’s Tough Study of Child Sex Abuse
  Indie Wire
• ‘The Blow’ Review: This Achingly Poignant Familial Drama Speaks a Tactile Visual Language
  Indie Wire