Film News 2026-04-19

• The 65mm Show to Watch Is ‘Beef’ Season 2
  Indie Wire
• Nathalie Baye, Known for Iconic Roles in ‘Catch Me If You Can,’ ‘Day for Night,’ and More, Dead at 77
  Indie Wire
• ‘Euphoria’: Sam Levinson on Season 3’s Western Connection and Why They Shot on 65mm Film Stock
  Indie Wire
• When 4/20 Lands on a Monday, You Have to Watch Gregg Araki’s ‘Smiley Face’ — OR ELSE!
  Indie Wire
• ‘Roommates’ Review: Sadie Sandler Navigates the Highs and Lows of Freshman Year in Chandler Levack’s Formulaic Netflix Comedy
  Indie Wire
• Jeremy O. Harris on Juggling Theater, ‘Erupcja,’ and Why He Became a Producer
  Indie Wire
• Warner Bros.’ Future Slate, Disney’s ‘Infinity Vision,’ Dirty Sodas, and More Lingering Thoughts from CinemaCon
  Indie Wire
• David Lowery Turned a Creative Crisis and Late-Night Doubt Into ‘Mother Mary,’ His Most Complex Movie Yet
  Indie Wire
• ‘Mad Bills to Pay’ Director Joel Alfonso Vargas Knows He’s Living an Indie Film ‘Cinderella Story’
  Indie Wire
• How the ‘Blue Heron’ Editor Turned the Director’s Childhood Into One of 2026’s Best Films
  Indie Wire
• ‘Lorne’ Review: Morgan Neville’s Lightweight Documentary Sees Lorne Michaels as the Last True Guardian of Show Business as We Know It
  Indie Wire
• ATX TV Festival Sets Lineup for Inaugural Indie TV Pilot Competition, Adds Indie-Focused Programming
  Indie Wire