Film News 2026-04-18

• ‘Roommates’ Review: Sadie Sandler Navigates the Highs and Lows of Freshman Year in Chandler Levack’s Formulaic Netflix Comedy
  Indie Wire
• Jeremy O. Harris on Juggling Theater, ‘Erupcja,’ and Why He Became a Producer
  Indie Wire
• Warner Bros.’ Future Slate, Disney’s ‘Infinity Vision,’ Dirty Sodas, and More Lingering Thoughts from CinemaCon
  Indie Wire
• David Lowery Turned a Creative Crisis and Late-Night Doubt Into ‘Mother Mary,’ His Most Complex Movie Yet
  Indie Wire
• ‘Mad Bills to Pay’ Director Joel Alfonso Vargas Knows He’s Living an Indie Film ‘Cinderella Story’
  Indie Wire
• How the ‘Blue Heron’ Editor Turned the Director’s Childhood Into One of 2026’s Best Films
  Indie Wire
• ‘Lorne’ Review: Morgan Neville’s Lightweight Documentary Sees Lorne Michaels as the Last True Guardian of Show Business as We Know It
  Indie Wire
• ATX TV Festival Sets Lineup for Inaugural Indie TV Pilot Competition, Adds Indie-Focused Programming
  Indie Wire
• Why ‘Beef’ Season 2 Star Charles Melton Keeps Betting on Bold Filmmakers
  Indie Wire
• You Oughta Know, ‘The Pitt’ Finale’s Karaoke Credits Scene Is a Gift for the Fans
  Indie Wire
• ‘The Pitt’ Season 2 Finale Is Open to Interpretation — So Long as You Watch Through the Credits
  Indie Wire
• ‘The Dog Stars’ Trailer: Jacob Elordi and His Dog Survive Post-Apocalyptic Colorado in Ridley Scott’s Latest
  Indie Wire