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Film News 2026-04-11
Inside the New Film Stock Kodak Created for ‘Euphoria’ Season 3
Indie Wire
‘James and the Giant Peach’ Is the Most Underrated Animated Classic of the ’90s
Indie Wire
MUBI Lost 200,000 Subscribers Following Its 2025 PR Nightmare
Indie Wire
‘Behind the Mask II’: Leslie Vernon Will Finally Return — and He’s Using the ‘Shelby Oaks’ Strategy
Indie Wire
‘The Travel Companion’ Review: One of the Better Indie Films About Indie Films in Recent Memory
Indie Wire
‘The Audacity’ Review: AMC’s Clever, Pitch-Black Comedy Gets Trapped in a Tech Bubble
Indie Wire
The Absolute Hell of Watching a Movie at the Alamo Drafthouse in 2026
Indie Wire
‘The Christophers’ Review: Ian McKellen’s Best Screen Performance Since Gandalf Brings Some Much-Needed Life Back to Soderbergh’s Late Style
Indie Wire
What Should ‘Jury Duty’ Present After ‘Company Retreat’? We Have a Few Ideas
Indie Wire
‘Malcolm in the Middle: Life’s Still Unfair’ Is the Rare Revival That Provides Something New
Indie Wire
The WGA’s Tentative Deal Gets Writers a Big Boost with Healthcare — and Sets the Tone for the Other Guilds
Indie Wire
‘Thrash’ Review: Netflix’s Wild Shark Disaster Movie Is Dumb Fun Done Right
Indie Wire