Film News 2026-04-09

• ‘Steal This Story, Please!’ Review: Journalist Amy Goodman Is the Subject of a Glowing Doc That Should Rally the Converted
  Indie Wire
• ‘The Boys’ Review: A Bloody, Brutal Final Season Goes Where Marvel Won’t
  Indie Wire
• Fatih Akin Made a Nazi-Era Coming-of-Age Film as a Favor — Then It Became an $8 Million Hit
  Indie Wire
• Steven Soderbergh Burned 44 Years of Notebooks and Says It ‘Was the Right Thing to Do’
  Indie Wire
• Michael Jackson Biopic Reshoots Took 22 Days, Cost $15 Million, and Completely Changed Film’s Ending
  Indie Wire
• ‘Euphoria’ Season 3 Review: Sam Levinson’s HBO Drama Grows Old and Boring
  Indie Wire
• Elaine May’s Underappreciated ‘Mikey and Nicky’ Sets 50th Anniversary Theatrical Run
  Indie Wire
• The BBC’s Own Complaints Unit Finds Inclusion of BAFTAs Slur Outburst Was ‘Highly Offensive’ but ‘Unintentional’
  Indie Wire
• ‘Buffy the Vampire Slayer’ and How to Screw Up a Reboot
  Indie Wire
• ‘Remarkably Bright Creatures’ Trailer: Sally Field and Lewis Pullman Make Friends with a Giant Octopus
  Indie Wire
• The Oscars Are Sticking with March — and That Won’t Change for Years
  Indie Wire
• From Columbine to the 9/11 Attacks, Real-Life Violence Informed the New ‘Faces of Death’
  Indie Wire