Film News 2026-03-20

• The Hardest Scene to Craft in ‘Ready or Not 2: Here I Come’ Didn’t Involve Any Blood at All
  Indie Wire
• Why This Director Is Raising $3 Million for a Rom-Com Ecosystem
  Indie Wire
• ‘Campeón Gabacho’ Review: Jonás Cuarón’s Vibrant New York Immigrant Story Is Big on Emotions, Light on Subtlety
  Indie Wire
• Another ‘The Count of Monte Cristo’ Adaptation Butchers the Literary Classic Into Bore
  Indie Wire
• Netflix’s ‘Manosphere’ Dares to Ask: Should Men Make Documentaries About Sexism? — Opinion
  Indie Wire
• ‘Marc by Sofia’ Review: Sofia Coppola’s First Documentary Isn’t Really About Marc Jacobs
  Indie Wire
• ‘They Will Kill You’ Review: Zazie Beetz’s Gonzo Action-Horror Movie Is Some Killer, Some Filler
  Indie Wire
• ‘What Happens at Night’ First Look: Leonardo DiCaprio and Jennifer Lawrence Descend Into Martin Scorsese’s Frozen Dreamscape
  Indie Wire
• ‘Ready or Not 2: Here I Come’ Review: A Sensational Samara Weaving Can’t Save This Ho-Hum Horror Sequel
  Indie Wire
• Sofia Coppola and Marc Jacobs on ‘Marc by Sofia,’ Anxiety and Influence, and 30 Years of Friendship
  Indie Wire
• ‘Chili Finger’ Review: Judy Greer Tries to Sink Her Teeth Into a Darkly Comic Thriller of Severed Fingers and Fast Food
  Indie Wire
• Netflix Still Wants to Be ‘Aggressive’ with Film Acquisitions Out of Festivals
  Indie Wire