Film News 2026-03-15

• Meet the Punk-Rock Projectionist Showing His Own Films in a Tiny Theater on Wheels
  Indie Wire
• ‘Ready or Not 2: Here I Come’ Review: A Sensational Samara Weaving Can’t Save This Ho-Hum Horror Sequel
  Indie Wire
• ‘Pretty Lethal’ Review: Ballerina Baddies Spin and Slit Throats in a Suspense Thriller That Skips Pivotal Narrative Beats
  Indie Wire
• See ‘Undertone’ with Dolby Atmos, or You’ll Miss Half the Horror
  Indie Wire
• ‘The Sun Never Sets’ Review: A Career-Best Dakota Fanning Navigates Dueling Love Triangles in Joe Swanberg’s Delightful Alaskan Romance
  Indie Wire
• Praying ‘Sinners’ Wins Best Picture? Try the Hypnotic Vampire Classic ‘Ganja & Hess’ While You Wait
  Indie Wire
• No, Pixar Doesn’t Need to Give Up ‘Autobiographical’ Stories
  Indie Wire
• How to Watch the 2026 Oscars
  Indie Wire
• Anonymous Ballot: Director Favors ‘Sinners’ and Ryan Coogler as the Filmmaker of the Future
  Indie Wire
• Blumhouse Television Wants to Be the Face of Horror TV Without Relying on Monsters and Slashers
  Indie Wire
• SXSW’s ‘The Dark Wizard’ Scales the Life of Visionary Climber Dean Potter (No, Not That Other Wizard Named Potter) — First Look
  Indie Wire
• How Lawrence Sher’s Shotdeck Helps Cinematographers and Directors Bring Film Worlds to Life
  Indie Wire