Film News 2026-02-14

• IndieWire Is Partnering with Lavazza to Take You Inside the 2026 Indie Spirit Awards
  Indie Wire
• Oscar Frontrunner Stellan Skarsgård Looks Back at His Best Roles, from ‘Breaking the Waves’ to ‘Dune’
  Indie Wire
• ‘Yellow Letters’ Review: A Turkish Artist Couple Fractures but Never Falls Apart in ‘Teachers’ Lounge’ Director’s Politically Vexed Latest
  Indie Wire
• ‘Love Letters’ Trailer: ‘Raw’ Star Ella Rumpf Navigates New Motherhood in Queer Cannes Favorite
  Indie Wire
• ‘Neighbors’ Review: Josh Safdie’s Sad HBO Comedy Exacerbates the Problem It’s Documenting
  Indie Wire
• ‘Lorne’ Documentary on Lorne Michaels Caps a Long Streak of Recent ‘SNL’ Films
  Indie Wire
• ‘Everybody Digs Bill Evans’ Review: The Tragic Jazz Musician Gets a Biopic That Runs Counter to Convention
  Indie Wire
• Is the Cliff Booth Trailer Supposed to Be That Dark?
  Indie Wire
• ‘Mouse’ Review: ‘Saint Frances’ and ‘Ghostlight’ Filmmakers Bring Their Singular Humanity to a Coming-of-Age Tale
  Indie Wire
• Jane Schoenbrun’s Summer Slasher, ‘Teenage Sex and Death at Camp Miasma,’ Gets a Seasonally Appropriate Release Date
  Indie Wire
• ‘Forbidden Fruits’ Trailer: Mercury Is Very Much in Retrograde in This Sparkly, Biting Mall-Set Cult Horror Comedy
  Indie Wire
• ‘Wuthering Heights’ Isn’t Faithful to the Book. Does It Even Need to Be? — Opinion
  Indie Wire