Film News 2026-02-11
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Inside the Oscar Nominees Lunch, Where ‘Sinners,’ Timothée Chalamet, and ‘Frankenstein’ Felt the Love
Indie Wire
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Alexander Skarsgård and His ‘Pillion’ Director on the Graphic, Cut Sex Scene Even They Didn’t Want You to See
Indie Wire
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‘Sirāt’: Is This Oscar Contender with a Brutal Twist Actually Hopeful?
Indie Wire
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Paul Thomas Anderson Ends ‘One Battle After Another’ Press Run by Honoring His ‘Proper F**king Movie Stars’
Indie Wire
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Filmmakers Need a Merch Table
Indie Wire
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‘Good Luck, Have Fun, Don’t Die’ Review: Gore Verbinski’s Big Screen Return Is a Scattershot but Delightful Anti-AI Adventure
Indie Wire
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Watch the ‘Zootopia 2’ Directors Break Down Judy and Nick’s Big Confession Scene
Indie Wire
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‘Erupcja’ Trailer: Charli XCX Finds Out If It’s Brat to Ghost Your Boyfriend
Indie Wire
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A New Burt Reynolds Tell-All Charts His Pre-‘Deliverance’ Fame, ‘Boogie Nights’ Disdain, and Roles That Got Away
Indie Wire
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Sundance 2026 Movies Sold So Far: Magnolia Hot for Gregg Araki’s ‘I Want Your Sex’
Indie Wire
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‘Yes’ Trailer: The Most Controversial Movie of Last Year’s Cannes Is a Sensory Assault on Nationalism
Indie Wire
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This Year’s Sloan Student Prize-Winning Scripts Tackle Sam Altman, ChatGPT, and Modern Medicine
Indie Wire