Film News 2026-02-07

• Cracked Cult Rom-Com ‘Love on a Leash’ Dares to Ask: Should You Fall for a Toxic Golden Retriever?
  Indie Wire
• ‘Dracula’ Review: Caleb Landry Jones Has a Ball in a Gothic Saga from the Guy Who Made ‘Fifth Element’
  Indie Wire
• We’ll Have to Wait Until 2027 for Teyana Taylor’s Directorial Debut
  Indie Wire
• At the 2026 Olympics Opening Ceremony, Weirdness Was in Short Supply — but Not Attempts at ‘Harmony’
  Indie Wire
• Adapting ‘Train Dreams’: Clint Bentley on Why Changing One of the ‘Greatest Endings in Literature’ Mattered
  Indie Wire
• What to Expect from the SAG-AFTRA 2026 Contract Negotiations: AI, Residuals, Health and Pension Plans, and When to Expect a Deal
  Indie Wire
• ‘Wuthering Heights’ First Reactions: Will Emerald Fennell Deliver, or Is This Just Film Twitter on Overdrive?
  Indie Wire
• ‘Pillion’ Review: Alexander Skarsgård and Harry Melling Are Magnificent in a Wildly Explicit and Strangely Sweet BDSM Romance
  Indie Wire
• IndieWire’s 101 Guide to Working with Hollywood Unions — What Do Indie Filmmakers Need to Know?
  Indie Wire
• The Year’s First Must-Own Physical Media Release: A Crash Course in Spanish Genre Movies After Franco
  Indie Wire
• Sundance 2026 Movies Sold So Far: Apple Acquires Mountain Climbing Doc ‘The Last First: Winter K2’
  Indie Wire
• The Academy Gets Back Into the Content Business, Led by a Familiar Face
  Indie Wire