Film News 2026-01-30

• ‘If I Go Will They Miss Me’ Review: Walter Thompson-Hernández Delivers an Ambitious Portrait of Black Angelino Life
  Indie Wire
• ‘The Weight’ Review: Ethan Hawke Smuggles Stolen Gold in a ‘Sorcerer’ Homage That Drags Through the Muck
  Indie Wire
• The Cast and Filmmakers of ‘The Musical’ Will Try Not to Spoil the Dark Comedy’s Big Twist for You
  Indie Wire
• The Cast of ‘Gail Daughtry and the Celebrity Sex Pass’ Share Fond Memories of Watching John Slattery Get Kicked in the Groin
  Indie Wire
• ‘Undertone’ Filmmaker Ian Tuason Learned from All Your Favorite Horror Films to Make His Creepy Hit — but Not in the Ways You Might Expect
  Indie Wire
• Your First Look at The Beatles Movies Came in a Peculiar Postcard Form
  Indie Wire
• ‘The Musical’ Review: A Darkly Comic ‘School of Rock’ for the Era of Stephen Miller
  Indie Wire
• Quentin Tarantino’s New Beverly Cinema Goes Back to Its Porno Roots This February
  Indie Wire
• ‘Paralyzed by Hope: The Maria Bamford Story’ Review: Ya Gotta Laugh to Keep from Crying, Right?
  Indie Wire
• Sundance 2026 Movies Sold So Far: ‘Ha-Chan, Shake Your Booty!’ with Rinko Kikuchi Sells to Sony Pictures Classics
  Indie Wire
• ‘When a Witness Recants’ Review: If Justice Arrives 36 Years Too Late, Who Bears the Burden?
  Indie Wire
• How ‘Ponies’ Hides Its Spy Psychology in Plain Sight Through ’70s-Tastic Costumes and Sets
  Indie Wire