Film News 2026-01-24

• ‘Return to Silent Hill’ Review: Video Game Adaptations Sink to a Mesmerizing New Low
  Indie Wire
• ‘Josephine’ Review: Another Heartsick Horror Film About Real Monsters from ‘Soft & Quiet’ Filmmaker
  Indie Wire
• ‘Filipiñana’ Review: A Manila Golf Course Hides the Sinister History of Colonialism in a Languid Satire Executive Produced by Jia Zhangke
  Indie Wire
• ‘Buddy’ Review: Casper Kelly’s Bloodthirsty Riff on ‘Barney’ Is the First Great Midnight Movie of 2026
  Indie Wire
• We Have ‘One Battle After Another’ About the Oscar Nominations, and Who Will Win
  Indie Wire
• ‘The Oldest Person in the World’ Review: A Cute Documentary About 116-Year-Olds Takes a Rewardingly Personal Turn
  Indie Wire
• ‘Saccharine’ Review: Natalie Erika James’ Gross-Out Body Horror Is Stuffed with Great Effects and Way Too Many Ideas
  Indie Wire
• Kogonada Asked Six Friends to Fly Themselves to Hong Kong. Three Weeks Later, They Left with a Movie
  Indie Wire
• Corey Feldman’s Documentarian Marcie Hume on Why the ’80s Teen Icon Is More Than Just a ‘Victim’ or ‘Villain’
  Indie Wire
• ‘The History of Concrete’ Review: John Wilson Illustrates How to Get Over a Beloved TV Show with a Moving and Hilarious Meditation on Death
  Indie Wire
• ‘Ha-Chan, Shake Your Booty!’ Review: An Exuberant and Whimsical New Spin on the Grief Drama
  Indie Wire
• ‘Everybody to Kenmure Street’ Review: A Vital and Inspiring Portrait of Spontaneous Collective Action
  Indie Wire