Film News 2025-12-31

• Everything Everywhere All at Once: How the ‘Avatar’ Movies Obliterate Traditional Boundaries Between Prep, Production, and Post
  Indie Wire
• Cary Elwes Pays Tribute to Rob Reiner: ‘Death Cannot Stop True Love but Life Is Pain Without You’
  Indie Wire
• Don’t Call It a Comeback: How Independent Film Will Be Rewired in 2026
  Indie Wire
• How ‘Song Sung Blue’ Composer Scott Bomar Turned Hugh Jackman and Kate Hudson Into a Live-Singing Neil Diamond Tribute Act
  Indie Wire
• ‘One Battle After Another’ Editor Talks Putting Together That Iconic Car Chase Scene
  Indie Wire
• A Simple Plan to Save ‘Stranger Things’ from Hollywood’s Tired Franchise Trap
  Indie Wire
• ‘He Just Wanted You to See the Magic’: James Cameron on ‘Aliens’ and ‘Terminator’ Special Effects Artist Stan Winston
  Indie Wire
• ‘The Dutchman’ Review: André Holland Goes on a Psychosexual Dark Night of the Soul in Contemporary Spin on ’60s Race Play
  Indie Wire
• ‘Frankenstein,’ ‘One Battle After Another,’ ‘Sinners,’ ‘Weapons’ Lead Makeup and Hairstyling Award Nominations
  Indie Wire
• Brigitte Bardot, French Screen Icon of the ‘50s and ‘60s, Dies at 91
  Indie Wire
• Subscribe to Our New Craft Newsletter, Top of the Line: This Week, Oona Chaplin Supreme
  Indie Wire
• Inside How Josh Safdie Filmed the Ping-Pong Matches in ‘Marty Supreme’
  Indie Wire