Film News 2025-12-06

• Meet Top of the Line, IndieWire’s Craft Newsletter Where Film and TV Artisans Get Their Due
  Indie Wire
• ‘Stout-Hearted’ and Unforgettable: Nina Hoss’ ‘Hedda’ Performance Earns the Actress Her Spotlight Moment
  Indie Wire
• Wagner Moura Touches on the Legacy of Brazilian Fascism at IndieWire Honors: ‘Let’s All Stick with Our Values’
  Indie Wire
• By Invoking ‘Titanic’ and ‘The Notebook,’ Emerald Fennell and Margot Robbie Confirm ‘Wuthering Heights’ Fans’ Greatest Fears
  Indie Wire
• ‘Five Nights at Freddy’s 2’ Review: This Shameful Waste of Mckenna Grace Will Still Satisfy Fans
  Indie Wire
• Billy Bob Thornton Has Played Political Strategists, Thieves, and Cowboys — but He Says He’s Always Playing Himself
  Indie Wire
• The Sound Design of ‘No Other Choice’ Releases the Beast Within Us All
  Indie Wire
• Inside IndieWire Honors, Where Creative Freedom and Community Offer a Path for a Rapidly Changing Industry
  Indie Wire
• What the NYFCC, NBR, and Spirit Awards Tell Us About the State of the Oscar Race
  Indie Wire
• ‘I Shadowed Anyone Who Would Let Me Watch’: Chase Infiniti Thanks the Crew Members Who Taught Her About Filmmaking at IndieWire Honors
  Indie Wire
• Gabriel Domingues Was Kleber Mendonça Filho’s Secret Weapon in Recreating 1970s Brazil for ‘The Secret Agent’
  Indie Wire
• Adam Sandler Looks Back on His Early Days in Hollywood at IndieWire Honors
  Indie Wire