Film News 2025-11-14

• IndieWire Announces Inaugural Craft Roundtables to Celebrate the Best in 2025 Cinematography, Casting, Production Design, and Editing
  Indie Wire
• How Director Matt Ross Found the Surprises in the Historical Drama of ‘Death by Lightning’
  Indie Wire
• ‘The Carpenter’s Son’ Review: Nicolas Cage Plays Jesus’ Stepfather in a Biblically Dull Horror Movie About Growing Up as the Son of God
  Indie Wire
• ‘One Battle After Another’ Cinematographer Michael Bauman Says Watching Dailies with Paul Thomas Anderson Is ‘Like a Live DJ Session’
  Indie Wire
• ‘Come See Me in the Good Light’ Tops 2025 Cinema Eye Honors Feature Film Nominations — See Full List
  Indie Wire
• If User-Generated AI Content Comes to Disney+, the Possibilities Are Exciting and Terrifying
  Indie Wire
• How ‘Sinners’ Found a Sound as Big as Its IMAX Imagery
  Indie Wire
• Malik Hassan Sayeed Shot Some of Spike Lee’s Best Films — Now He’s Taken on Luca Guadagnino’s ‘After the Hunt’
  Indie Wire
• The Impressionistic Cinematography of ‘Train Dreams’ Came Courtesy of Adolpho Veloso
  Indie Wire
• ‘Left-Handed Girl’ Review: Sean Baker Edits and Co-Writes ‘Tangerine’ Producer Shih-Ching Tsou’s Kaleidoscopic Solo Directing Debut
  Indie Wire
• ‘Poker Face’ Cancelled at Peacock, but the Show Seeks a New Home with Peter Dinklage Taking Over Natasha Lyonne’s Role
  Indie Wire
• ‘Wuthering Heights’ Trailer: Is Emerald Fennell Obscuring the Truth of Her Romantic Leads with Another Lush Look?
  Indie Wire