Film News 2025-11-05

• ‘I Am Frankelda’ Review: Mexico’s First Stop-Motion Animated Feature Is a Macabre Beauty That Revels in its Own Creation
  Indie Wire
• ‘If You See Something’ Review: Oday Rasheed Strikes Mood Over Story in Confused Immigration Tragedy
  Indie Wire
• ‘Predator: Badlands’ Review: A Lovable Yautja Runt Teams Up with an Oscar-Worthy Elle Fanning in the Second Great ‘Predator’ Movie of 2025
  Indie Wire
• ‘H Is for Hawk’ Trailer: Claire Foy Tries to Work Through Her Grief by Training the Maddest of All Birds
  Indie Wire
• ‘Happy Birthday’ Trailer: Jamie Foxx Produces What Could Become Egypt’s First International Oscar Nominee
  Indie Wire
• Another New AI Production Company Inks a Big Creative Partnership — This Time, with Ron Howard and Brian Grazer’s Imagine Entertainment
  Indie Wire
• Creator Camp and the Three-Picture Theatrical Deal: Attend Is Betting the Internet Can Fill Movie Screens
  Indie Wire
• ZCON Is Where All the Executives Want to Be, but the Creators Are in Control
  Indie Wire
• Jennifer Lawrence and Robert Pattinson on Zoloft, Method Acting, and the Anxious Romance of ‘Die My Love’
  Indie Wire
• Does ‘Bugonia’ Have the Legs to Be Yorgos Lanthimos’ Biggest Box Office Hit Yet?
  Indie Wire
• ‘100 Nights of Hero’ Trailer: Julia Jackman Crafts a Modern Fairy Tale with the Help of Charli XCX
  Indie Wire
• South Asian Storytelling Nonprofit 1497 Wraps Features Lab with Ritesh Batra, Boots Riley, and More
  Indie Wire