Film News 2025-11-04

• Creator Camp and the Three-Picture Theatrical Deal: Attend Is Betting the Internet Can Fill Movie Screens
  Indie Wire
• ZCON Is Where All the Executives Want to Be, but the Creators Are in Control
  Indie Wire
• Jennifer Lawrence and Robert Pattinson on Zoloft, Method Acting, and the Anxious Romance of ‘Die My Love’
  Indie Wire
• Does ‘Bugonia’ Have the Legs to Be Yorgos Lanthimos’ Biggest Box Office Hit Yet?
  Indie Wire
• ‘100 Nights of Hero’ Trailer: Julia Jackman Crafts a Modern Fairy Tale with the Help of Charli XCX
  Indie Wire
• South Asian Storytelling Nonprofit 1497 Wraps Features Lab with Ritesh Batra, Boots Riley, and More
  Indie Wire
• ‘Lost Land’ Review: The First Movie Shot in the Rohingya Language Is a Powerful and Unflinching Story of Displacement
  Indie Wire
• ‘Blossoms Shanghai’ Trailer: Wong Kar-Wai’s 30-Episode Series Finally Gets a North American Release
  Indie Wire
• How ‘The Chair Company’ Costume Design Brings a Sense of Reality to the Surreal
  Indie Wire
• ‘My Father’s Shadow,’ ‘Pillion,’ ‘I Swear’ Score Top British Independent Film Award Noms
  Indie Wire
• How Playful Camera Techniques in ‘Hedda’ Keep Pace with Tessa Thompson
  Indie Wire
• Catherine Corcoran Isn’t the First to Feel Cheated by ‘Terrifier’
  Indie Wire