Film News 2025-11-02

• How Playful Camera Techniques in ‘Hedda’ Keep Pace with Tessa Thompson
  Indie Wire
• Catherine Corcoran Isn’t the First to Feel Cheated by ‘Terrifier’
  Indie Wire
• ‘Bugonia’ Goes Big in the Basement: Why Yorgos Lanthimos Reached for a Barely Functioning VistaVision Camera 
  Indie Wire
• ‘A House of Dynamite’ Star Tracy Letts Asks ‘If We’re Really Done Here?’
  Indie Wire
• ‘The Love That Remains’ Trailer: ‘Godland’ Filmmaker Hlynur Pálmason Takes on Intimate Family Drama
  Indie Wire
• Florida Expects Production Surge, and a New Statewide Below-the-Line Certification Program Will Help
  Indie Wire
• The Beatles Ladies Revealed: Saoirse Ronan, Anna Sawai, Aimee Lou Wood, and Mia McKenna-Bruce Join Sam Mendes Films
  Indie Wire
• How This Year’s Gotham Nominees and AFI Fest Impact the Oscar Race
  Indie Wire
• ‘Violent Ends’ Review: Billy Magnussen Takes the Lead in a Rich but Derivative Appalachian Revenge Thriller
  Indie Wire
• Chris Stuckmann Was a Test Case — 3 (Painful) Lessons to Learn from Neon’s ‘Shelby Oaks’
  Indie Wire
• Freddy Krueger’s Real Revenge? A 40-Year Journey to Recognizing the Importance of ‘A Nightmare on Elm Street 2’
  Indie Wire
• Netflix Won’t Go All-In on Theatrical, but These Movie Theater Stunts Might Make It Cool
  Indie Wire