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Film News 2025-10-23
Music, and Tulsa, Inspired Sterlin Harjo’s Writing Process for ‘The Lowdown’
Indie Wire
David Chase Is Back at HBO with a New Limited Series About ‘The Black Sorcerer’ of the CIA
Indie Wire
‘Chainsaw Man — The Movie: Reze Arc’ Review: The Popular Anime Bloodfest Gets a Sweet and Sad Movie Sequel
Indie Wire
How ‘The Mastermind’ Found 1970s New England in Ohio
Indie Wire
Logic Found His Calling as a Filmmaker with ‘Paradise Records’ — and It Might Not Be Long Before He’s a Studio Head
Indie Wire
All Hell Breaks Loose When Nina Hoss Invades the ‘Hedda’ Party
Indie Wire
‘Regretting You’ Review: The Latest Colleen Hoover Adaptation Trades Icky Drama for Soapy Romance
Indie Wire
‘Welcome to Derry’ Review: HBO’s ‘It’ Prequel Series Is the Wrong Kind of Clown Show
Indie Wire
Sales Out of the 2025 Fall Festivals: Samara Weaving Crime Thriller ‘Carolina Caroline’ Acquired by Magnolia
Indie Wire
‘Pluribus’ Trailer: Vince Gilligan Leaves the ‘Breaking Bad’ Universe Behind for a ‘Twilight Zone’-Style Satire About Conformity
Indie Wire
How Do Teenagers Consume Movies and Shows? Nearly Half of Them Say Rarely on a TV
Indie Wire
‘The Hand That Rocks the Cradle’ Review: Maika Monroe Is a Nanny from Hell in Hulu’s Safe and Streamlined Remake of Lurid ’90s Classic
Indie Wire