Film News 2025-10-15

• Production in Los Angeles Was Down Again, but California’s New Incentives Have Things on the Right Track
  Indie Wire
• ‘Blue Moon’ Review: Ethan Hawke Shines as a Famous but Desperate Songwriter in Richard Linklater’s Vibrant Chamber Piece
  Indie Wire
• DOC NYC 2025 Reveals Influential Awards Short List, from ’Cover-Up’ to ‘Perfect Neighbor’
  Indie Wire
• The 15 Best New Films That Premiered at the Fall Festivals
  Indie Wire
• ‘F*ck My Son!’ Review: Can a Movie Be Gross Enough That AI Isn’t the Most Disgusting Thing About It?
  Indie Wire
• ‘Send Help’ Trailer: Rachel McAdams and Dylan O’Brien Are Deserted on an Island Together in Sam Raimi’s Latest Thriller
  Indie Wire
• ‘The Mastermind’ Review: Josh O’Connor Is an Art Thief Hijacked by His Own Heist in Kelly Reichardt’s Jazzy 1970s Throwback
  Indie Wire
• Sales Out of Venice, TIFF, and Telluride: Focus Features Finally Closes Big Deal for Curry Barker’s Horror Breakout ‘Obsession’
  Indie Wire
• ‘Mr. Scorsese’ Started as a Two-Hour Film — ‘It Was Impossible,’ Says Series Director Rebecca Miller
  Indie Wire
• 2025 Critics Choice Documentary Awards Nominations Led by ‘Orwell: 2+2=5’
  Indie Wire
• ‘Rebuilding’ Trailer: Josh O’Connor Starts Over After a Devastating Wildfire
  Indie Wire
• VistaVision Is Less Likely to Make the Same Comeback That 70mm Did
  Indie Wire