Film News 2025-09-12

• ‘Easy’s Waltz’ Review: Vince Vaughn Charms His Way Through Nic Pizzolatto’s Low-Key Vegas Drama
  Indie Wire
• The Movies Are Meeting the Moment, but Distributors Are Still Scared of Palestine (and Three Other Lessons We Learned from the Fall Fests)
  Indie Wire
• Can ‘One Battle After Another’ Beat ‘Sinners’ and ‘Hamnet’ at the Oscars? — Screen Talk
  Indie Wire
• Michael Shannon on Finally Getting His Big Courtroom Drama with ‘Nuremberg,’ His Next R.E.M. Tour, and Playing Bill Parcells
  Indie Wire
• ‘Sunfish (& Other Stories on Green Lake)’ Review: A Gentle and Rewarding Debut Sails Around the Frustrations of Most Anthology Films
  Indie Wire
• ‘Is That Even Legal?’ and Other Burning Questions We Have About the News That Paramount Skydance Wants to Buy Warner Bros. Discovery
  Indie Wire
• Andrew DeYoung on the Films That Influenced ‘Friendship,’ PTA’s Brilliance, and Why Most Comedies Are Boring
  Indie Wire
• ‘Adulthood’ Review: Alex Winter Directs a Wacky but Frustrating Genre-Hopping Tale of Family Secrets
  Indie Wire
• ‘Glenrothan’ Review: Brian Cox’s Directorial Debut Is a Single Malt Misfire 
  Indie Wire
• ‘Barrio Triste’ Review: Stillz and EDGLRD Team for a Meandering Found-Footage Crime Movie
  Indie Wire
• ‘A Life Illuminated’ Review: A Wonderfully Unflashy Documentary About One of the Planet’s Most Fascinating Phenomena
  Indie Wire
• ‘Dreams (Sex Love)’ Review: A Teen’s Sexual Awakening Challenges Perceptions in Final Film of Norwegian Humanist Trilogy
  Indie Wire