Film News 2025-09-11

• ‘Honey Bunch’ Review: Strong Performances Leaven a Derivative Retro-Thriller
  Indie Wire
• ‘Spinal Tap II: The End Continues’ Review: A Half-Funny Mocku-Sequel Huffs the Fumes of Its Own Inspiration
  Indie Wire
• ‘The Fence’ Review: Matt Dillon and Isaach de Bankolé Square Off in Claire Denis’ Stagelike West African Drama
  Indie Wire
• Paul Thomas Anderson’s ‘One Battle After Another’ Joins ‘Sinners’ and ‘Hamnet’ as Early Oscar Frontrunner
  Indie Wire
• Inside the Criterion Mobile Closet, the Best Five Minutes You Can Spend at Your Favorite Film Festival
  Indie Wire
• ‘D(e)ad’ Is Helping Truly Independent Films Haunt Theaters
  Indie Wire
• ‘The Girlfriend’ Review: Olivia Cooke and Robin Wright Wage War in This Psychological Thriller
  Indie Wire
• When Jafar Panahi Has a Story to Tell, Nothing Will Stop Him
  Indie Wire
• How Mona Fastvold and Daniel Blumberg Adapted Shaker Hymns for ‘Ann Lee’: ‘The Film’s Pretty Extreme. How Can We Push It Further?’
  Indie Wire
• ‘Urchin’ Trailer: Harris Dickinson’s Powerhouse Directing Debut Makes Frank Dillane a Star
  Indie Wire
• Laika Continues Push Into Live Action with Lulu Wang’s ‘Audition’ Starring Lucy Liu and Charles Melton
  Indie Wire
• ‘Karmadonna’ Review: God Tells a Pregnant Woman to Go on a Killing Spree in a Kinetic Action Thriller From the Co-Writer of ‘A Serbian Film’
  Indie Wire