Film News 2025-09-09

• ‘Unidentified’ Review: Haifaa Al-Mansour’s Murder Mystery Expands the Frame of Women’s Lives in Saudi Arabia
  Indie Wire
• MicroCo Wants to Be the Alpha Werewolf Billionaire That Vertical Dramas Need
  Indie Wire
• The 2025 Box Office Is Staying Afloat Thanks to a Few Under-the-Radar Releases
  Indie Wire
• Aziz Ansari on How His Canceled ‘Being Mortal’ Led to ‘Good Fortune,’ and with Help from Angels Like Keanu Reeves and Seth Rogen
  Indie Wire
• ‘Eternity’ Review: Elizabeth Olsen Has to Choose Her Own Heaven in an A24 Rom-Com That’s Stuck in Purgatory
  Indie Wire
• Benny Safdie and Dwayne Johnson Are Already Trying to Reunite — This Time Adapting a ’70s Book About Lizard Musicians from Space
  Indie Wire
• ‘Nuremberg’ Review: Yes, It Seems the World Still Needs to Be Reminded of the Horrors of WWII
  Indie Wire
• Charlie Kaufman on His Short ‘How to Shoot a Ghost,’ How ‘Synecdoche, New York’ Has Only Gotten More Love with Time, and Upcoming Projects
  Indie Wire
• ‘Saturday Night Live’ and ‘The Late Show with Stephen Colbert’ May Finally Pull Off Some Emmys Upsets
  Indie Wire
• ‘Hedda’ Review: Tessa Thompson Is the Ultimate Party Monster in Nia DaCosta’s Vivacious Ibsen Adaptation
  Indie Wire
• How Paul Greengrass Shot ‘The Lost Bus’ with a Real School Bus and an Actual Fire, with Matthew McConaughey and Producer Jamie Lee Curtis
  Indie Wire
• ‘Wake Up Dead Man’ Teaser: Daniel Craig’s Benoit Blanc Returns for a Darker Mystery
  Indie Wire