Rock News 2025-09-08

• Camel's Andy Latimer releases new material on Bandcamp
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• I’m a lifelong deathcore hater, but these five bands are actually giving me faith in the genre
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• Dirkschneider & The Old Gang share video for title track from upcoming album ‘Babylon’
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• Six Britpop bands who will never reunite
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• Marc Storace trying to get the publishing rights to the ‘Blue’ album that he did with Vic Vergeat
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• Babylon A.D.’s new studio album ‘When The World Stops’ now available on CD
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• Watch unearthed 1991 Metallica interview in which they insist they are not a thrash metal band
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• "Hey Roger Waters 🦆 You!" Jack Osbourne doubles down on Roger Waters roast with emoji-powered social media post
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• Buckcherry’s album ‘Black Butterfly’ to be reissued with five bonus tracks on CD version
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• “It’s written from the point of view of being older; mortality is the constant.” The inspiration that helped David Gilmour create Luck And Strange
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• Get the new issue of Metal Hammer with a Helloween cover and t-shirt you won’t find in the shops
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• The Last Dinner Party share new single The Scythe, announce shows in Ireland, the UK, Europe, Australia and New Zealand
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• “Understated, captivating ebb and flow with a sense of cohesion”: Green Carnation commence a trilogy with the enthralling A Dark Poem, Part I: The Shores Of Melancholia
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• Archivists discover that David Bowie was working on a musical set in 18th Century London when he died
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• "Please don't put it on the internet!" Did Limp Bizkit just tease a new song in the funnest way ever?
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• Chris Laney unveils another reimagined Jani Lane track — “Very Fine Line”
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• Leprous share dramatic live clip of Like A Sunken Ship as they announce new live release
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• Foo Fighters frontman Dave Grohl to be honoured at LA gala for his volunteer work with people experiencing homelessness
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• "It's so broad a concept that it's impossible to answer objectively": We asked who the 'big four' of classic rock were and you did not hold back
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• “I felt the stage fright because the band just wasn’t good enough. I said, ‘This will be our last record.’ Then things began to take off”: Even lockdown couldn’t dampen The Pineapple Thief’s spirits when they released Versions Of The Truth
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• Enslaved's Ivar Bjørnson collaborates with Blackfeet Nation member Nicholas Rink on new ambient BardSpec song Eternity
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• "I sent Rob Halford some eight-inch spiky high heels for Christmas": Lzzy Hale's wild tales of Ronnie James Dio, Alice Cooper, Skid Row and more
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• Rick Hughes teams up with group of Ozzy’s former backing members for cover of The Who’s “The Real Me”
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• “We were what Adam D referred to as riff salad”: Parkway Drive look back on being produced by Killswitch Engage’s guitarist
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• Mike Oldfield producer Tom Newman to release his autobiography, Fine Old Tales
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• “Dear Taylor Swift and Travis Kelce, we know what love is." Foreigner make their case to play at upcoming celebrity wedding
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• "Crime scene teams tested the entrails - they thought they were human." How Florida became the world death metal capital in the 90s
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• The 12 best new metal songs you need to hear right now
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• "We are finally ready for Different Class to be heard in all its glory." Pulp announce 30th anniversary reissue of Britpop cornerstone Different Class, to include their never-before-released Glastonbury 1995 set
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• Watch the video for new Biffy Clyro single True Believer, the third preview of their forthcoming tenth album Futique
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• FireHouse launch new single “Mighty Fine Lady” with Nate Peck on lead vocals
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• Crystal Steel unveil video for track “Hero” from debut EP ‘First Strike’
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• "Being a rock star is overrated." Motley Crue bassist Nikki Sixx is falling out of love with touring
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• Premiere of video for new single “We Got Rock n Roll” from Paul Lidel’s Scream Therapy
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• "Whichever musical hat he wears, its brim casts a darker shadow than before": If this is his final solo album, Glenn Hughes is closing that door with a mighty bang
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• Primal Fear drop lyric video for new single “I Am The Primal Fear”
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• "It shocked me because of how different it sounded": Bruce Springsteen releases long-awaited Nebraska version of Born In The USA
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• "People should get off their asses to topple us. Here’s a guitar – blow us away if you think you can." The track-by-track guide to Metallica's Load
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• Yungblud, Steven Tyler, Joe Perry and Nuno Bettencourt to honour Ozzy Osbourne with performance at MTV Video Music Awards
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• Michael Schenker reveals studio album ‘Freedom of Expression’ will follow after ‘Don’t Sell Your Soul’
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• Two new Autograph albums consisting mainly of unreleased demos now available via FnA Records
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• It’s been seven years since the last Radiohead tour – here’s what each member has been up to since
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• I'm a singer in a metal band living with HIV. Here's how my diagnosis has impacted my life and career so far
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• "The entire world could burn and we would still absolutely love each other and love what we do." How Lzzy Hale beat her demons with a little help from her Halestorm bandmates on new album Everest
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• “Roger Waters’ Amused To Death is something you have to pay attention to. If had Pink Floyd on the cover, it would have sold millions”: BBC chief football writer Phil McNulty’s prog record collection
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• “We were the antithesis of Britpop – we really hated all that kind of thing." Every Idlewild album in the band's own words
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• Alter Bridge launch first new song in over two years, announce US tour
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• Mike Oldfield announces double-vinyl, half-speed remaster of Amarok reissue for October
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• Watch the video for the metal collab of the year as Amy Lee, Courtney LaPlante and Poppy team up for new single End Of You
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• The silencing of The Lamb... Genesis are on the cover of the new issue of Prog, which is on sale now
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• President continue to campaign ahead of their first EP with new single Destroy Me
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• Slipknot have finally had one of their songs hit the billion-stream mark on Spotify
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• Hell In The Club release video for new single “Magnestars” from upcoming album ‘Joker In The Pack’
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• “Using sci-fi stuff worked for us – there are no boundaries and you can use all your goofy sounds. There are Marshall stacks and Serbian guitarists using echo machines in space!” The poems, movies and sheep that inspired Rush’s A Farewell To Kings
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• “The song was haunted! Dropouts, disks failing, the channels on the desk would stop working. The guitar had just gone. It wasn’t one of my favourite albums”: Marillion producer Dave Meegan’s fight to deliver Afraid Of Sunlight
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• “There are three more songs somewhere on a hard drive. I will release them before I die!” The story of the star-studded EP Gojira have been sitting on for 15 years
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• Former Tesla bandmates Brian Wheat and Tommy Skeoch form new band together
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• Watch the video for Robert Plant's new single Chevrolet, the opening track on the former Led Zeppelin frontman's forthcoming album Saving Grace
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• Rick Wakeman announces new album, Melancholia, will be released in October
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• "I look round and there's puke all over the place, and I thought, this is not going well": How Rainbow's classic lineup came together then fell apart
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• Planning an Allman Brothers-themed holiday? You can now stay in Duane Allman's old house in Macon
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• Mike Tramp launches visualizer video for new single “All Burn In Hell”
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• Spiritbox, Turnstile, Cassyette, Disturbed and more to feature on heavy soundtrack to EA Sports' NHL 26
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• “It’s about challenging the norms and showing how strong we are when unified as women”: Poppy, Amy Lee and Courtney LaPlante explain how their generational team-up End Of You came together
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• Beige Against The Machine: Grandson's Bob Vylan-assisted third album Inertia is well-meaning, angry, heartfelt and simplistic enough for pre-schoolers
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