Film News 2025-09-06

• ‘John Candy: I Like Me’ Review: Colin Hanks’ Documentary Offers a Warm but Overstuffed Tribute
  Indie Wire
• ‘Franz’ Review: Agnieszka Holland’s Kafka Biopic Is an Old-School Disaster
  Indie Wire
• ‘Steve’ Review: Cillian Murphy Stars in a Reform School Drama That Teaches Only Bad Lessons
  Indie Wire
• ‘Christy’ Review: Sydney Sweeney Hits Hard in a Grim Biopic About What It Really Means to Be a Fighter
  Indie Wire
• Who Could Win the Golden Lion? The Strongest Venice Film Festival Contenders So Far
  Indie Wire
• ‘Palestine 36’ Review: Epic Historical Drama Overreaches in Its Ambition but Resonates with Today
  Indie Wire
• ‘Silent Friend’ Review: Poetry in a Tree’s Silence, as Tony Leung Again Proves Why He’s One of the Greats
  Indie Wire
• You’ve Never Seen Saoirse Ronan Quite Like This Before
  Indie Wire
• The Sound Design of ‘KPop Demon Hunters’ Uses Kpop, Billie Eilish, and Imogen Heap to Protect the Honmoon
  Indie Wire
• Yes, Emma Stone Shaved Her Head for ‘Bugonia’ (And Yes, It Scared Her Too)
  Indie Wire
• Josh O’Connor on the Challenge of a U.S. Accent: ‘It’s Difficult for Me to Move My Mouth in the Way That It’s Supposed to’
  Indie Wire
• ‘The Sun Rises on Us All’ Review: Dark Neo Noir Is China’s Cursed Answer to ‘Materialists’
  Indie Wire