Film News 2025-09-05

• ‘Mile End Kicks’ Review: Barbie Ferreira Is an Aspiring Music Critic in One for the Girls with Glasses
  Indie Wire
• ‘The Lowdown’ Review: Ethan Hawke Rips Through Sterlin Harjo’s Mesmerizing Southern Noir
  Indie Wire
• I Survived ‘The Long Walk’ Treadmill Challenge — What 5 Miles with the New Stephen King Classic Felt Like
  Indie Wire
• ‘Charlie Harper’ Review: Sincerity Cancels Out the Cliches in a Cyclical Story of Doomed Love
  Indie Wire
• ‘Erupcja’ Review: Charli xcx Ditches Her Boyfriend for a Polish Girl in Light and Breezy Movie About the Upside of Main Character Syndrome
  Indie Wire
• ‘Scarlet’ Review: ‘Belle’ Director Mamoru Hosoda Returns with a Bloody Anime ‘Hamlet’ that Has Nothing to Say
  Indie Wire
• Sales So Far Out of Venice, TIFF, and Telluride: Sydney Sweeney Boxing Film ‘Christy’ to Be Black Bear’s First Theatrical Release
  Indie Wire
• Paramount’s Deal with Legendary Means More Movies, More Theatrical, and More Franchises
  Indie Wire
• ‘Twinless’ Director James Sweeney on Casting Dylan O’Brien as a Gay Twin, Leaked Spoilers, and Losing Days Playing ‘The Sims’
  Indie Wire
• ‘Man on the Run’ Review: Full of Never-Before-Seen Footage, Morgan Neville’s Paul McCartney Doc Is Definitive but Lacks Edge
  Indie Wire
• The Academy Museum Presents an Opportunity to Experience Steven Spielberg’s ‘Jaws’ Like Never Before
  Indie Wire
• ‘Task’ Review: Mark Ruffalo and Tom Pelphrey’s Kindhearted HBO Crime Drama Will Bring You to Tears
  Indie Wire