Film News 2025-08-25

• Lighting the Legacy: Why Los Angeles Is Home for ‘RuPaul’s Drag Race’ and Me
  Indie Wire
• Quentin Tarantino’s New Podcast Interview Reveals What Happened with ‘The Movie Critic,’ and More About His Next Moves
  Indie Wire
• After 1 Million Trailer Views in 4 Days, IFC Decided to Take ‘Good Boy’ Off Leash
  Indie Wire
• ‘Eden’ Review: Ron Howard and His All-Star Cast Mount a Darkly Funny Adult Spin on ‘Lord of the Flies’
  Indie Wire
• A Family Portrait Across Decades from the Creator of ‘BoJack Horseman’? Welcome to ‘Long Story Short’
  Indie Wire
• ‘Honey Don’t!’ Review: Ethan Coen’s Second Lesbian Caper Is a Mishmash of Parts That Don’t Fit Together
  Indie Wire
• ‘Lurker’ Review: Archie Madekwe Shines in a Transfixing Tale of L.A. Obsession Gone Awry
  Indie Wire
• Bill Camp’s Favorite Scene in ‘Presumed Innocent’ Required So Much More from Him Than He’ll Admit
  Indie Wire
• Smuggling a Musical Into an Action Classic: Walter Hill on ‘The Warriors’
  Indie Wire
• How ‘Star Wars’ Stormed the Academy Awards and Sent an Oscar Into Space
  Indie Wire
• We Think We Know What the ’70s Looked Like — It’s Still Tricky for Production Designers to Get Right
  Indie Wire
• ‘Ne Zha 2’ Review: The Chinese Animated Phenomenon Is a Gorgeously Animated Epic
  Indie Wire