Film News 2025-08-15

• ‘And Just Like That’ Finale: This Isn’t an Ending — It’s a Disaster
  Indie Wire
• TIFF Accepts Oct. 7 Doc ‘The Road Between Us’ After Public ‘Pain and Frustration,’ Cameron Bailey Says
  Indie Wire
• ‘Night Always Comes’ Review: Vanessa Kirby Goes to Hell and Back in a Scuzzy Odyssey Through Impoverished America
  Indie Wire
• ‘Fairyland’ Trailer: Sofia Coppola-Produced Sundance Favorite Hits Theaters in October
  Indie Wire
• Hello, BAFTA Honours; Goodbye, Britannia Awards
  Indie Wire
• ‘Bridget Jones: Mad About the Boy’ Was Streaming-Only in the U.S., but Theatrical Test Screenings Proved It Could Succeed Everywhere
  Indie Wire
• The Single Takes of ‘Adolescence’ Make It Impossible to Look Away
  Indie Wire
• The ‘1923’ Production Designers Pulled Off That Rarest Feat for a Cowboy Drama: A True Winter Western
  Indie Wire
• ‘Angel’s Egg’ Trailer: ‘Ghost in the Shell’ Director’s Early Work Gets 4K Restoration
  Indie Wire
• ‘It Was Just an Accident’ Trailer: Jafar Panahi’s Palme d’Or Winning Moral Dilemma Comes to Theaters
  Indie Wire
• Fantastic Fest Announces Lineup for 20th Edition: ‘Black Phone 2,’ ‘Vicious,’ ‘Shelby Oaks,’ and More Genre Delights
  Indie Wire
• ‘All Her Fault’ First Look: Sarah Snook Makes Her Return to TV Post-‘Succession’
  Indie Wire