Film News 2025-05-24

• ‘Honey Don’t!’ Review: Ethan Coen’s Second Lesbian Caper Is a Mishmash of Parts That Don’t Fit Together
  Indie Wire
• ‘The Mysterious Gaze of the Flamingo’ Wins Un Certain Regard Prize at Cannes 2025
  Indie Wire
• How to Watch the 2025 Cannes Awards Ceremony Live Stream
  Indie Wire
• All 8 ‘Mission: Impossible’ Movies, Ranked Worst to Best
  Indie Wire
• Anime Has Never Been Nominated at the Primetime Emmys — Can ‘Solo Leveling’ Change That?
  Indie Wire
• Neon’s Tom Quinn Reveals His Oscar-Whisperer Secrets Ahead of the Cannes Awards
  Indie Wire
• ‘Mountainhead’ Review: Jesse Armstrong Assembles a New Group of Unserious Billionaires Without the Charm of the Roys
  Indie Wire
• ‘Romería’ Review: Carla Simón’s Intensely Personal Autofiction Takes Her (and a Budding Young Filmmaker) to Galicia
  Indie Wire
• The Paris Theater Announces Guests for ‘Bleak Week: New York,’ Including Todd Solondz and Kathleen Turner
  Indie Wire
• ‘The Mastermind’ Review: Josh O’Connor Is an Art Thief Hijacked by His Own Heist in Kelly Reichardt’s Jazzy 1970s Throwback
  Indie Wire
• A24 Scales Back Documentary Division and Lays Off 5 Employees
  Indie Wire
• ‘The Wonderers’ Review: Mélanie Laurent-Starring French Family Drama Nails the Uncertainty of Living with a Severe Disability
  Indie Wire