Film News 2025-05-18

• ‘Die My Love’ Review: Jennifer Lawrence Goes Full Feral in Lynne Ramsay’s Intense, Exhausting Postpartum Psychosexual Frenzy
  Indie Wire
• ‘Dangerous Animals’ Review: The Terrible CGI Sharks Are the Only Charming Aspect of This Serial Killer Thriller
  Indie Wire
• ‘Orwell 2 + 2 = 5’ Review: A Chilling Examination of How Much the Nightmare of ‘1984’ Has Come True
  Indie Wire
• ‘Desert of Namibia’ Writer-Director Yôko Yamanaka Calls the Film a Litmus Test for Your Compassion
  Indie Wire
• ‘Nouvelle Vague’ Review: Richard Linklater’s French New Wave Cosplay Is More ‘Midnight in Paris’ Than Histoire du Cinema
  Indie Wire
• ‘A Pale View of Hills’ Review: Frigid Yet Potent Ishiguro Adaptation Invites International Audiences In
  Indie Wire
• Alexander Payne’s Next Film ‘Somewhere Out There’ Starring Renate Reinsve Acquired by Searchlight Pictures
  Indie Wire
• Ari Aster’s ‘Eddington’ Sharply Divides Cannes: Star Pedro Pascal Defends a Western About ‘Our Worst Fears’ Amid Lockdown
  Indie Wire
• ‘Nouvelle Vague’ Teaser: Richard Linklater Brings the French New Wave Back to Life
  Indie Wire
• ‘Lucky Lu’ First Look: Lloyd Lee Choi’s Directorial Debut Confronts the Fallacy of the American Dream
  Indie Wire
• ‘I Only Rest in the Storm’ Review: An Unapologetically Uncomfortable Voyage into the Grimy Underbelly of NGOs
  Indie Wire
• ‘Put Your Soul in Your Hand and Walk’ Review: Ethical Concerns Riddle Iranian Documentary About a Palestinian Photojournalist Killed by the IDF
  Indie Wire