Film News 2025-05-17

• ‘The Chronology of Water’ Review: Kristen Stewart’s Directorial Debut Is a Bold and Radical Story About a Swimmer Rising to the Surface
  Indie Wire
• Everything Coming to Hulu and Disney+ in June
  Indie Wire
• Matthew Weiner and ‘Hacks’ Creators Lucia Aniello, Paul W. Downs, and Jen Statsky to Mentor AFI 2025 Writers’ Room Ready Program
  Indie Wire
• The First-Dayers of ‘The Pitt’ Highlight the Need for More Portrayals of Competent Young Professionals
  Indie Wire
• ‘Arco’ Review: France’s Answer to Studio Ghibli Offers an Emotional Sci-Fi Epic
  Indie Wire
• IATSE’s New Contract for Marvel, Disney, and ‘Avatar’ VFX Workers Include Overtime Pay, Minimum Rates, and Healthcare and Pension Contributions
  Indie Wire
• ‘Murderbot’ Review: Alexander Skarsgård’s Goofy-Great Apple Series Wants Us to Watch TV, Together
  Indie Wire
• How ‘Love, Death and Robots’ Season 4 Made the Ultimate Cute Little Guy
  Indie Wire
• ‘Eddington’ Review: Ari Aster’s Bleak and Brilliant Look at Post-COVID America Feels Like the First Truly Modern Western
  Indie Wire
• You’re a Lifelong U2 Fan and Only Have Eight Minutes to Interview Bono — What Do You Ask?
  Indie Wire
• ‘Hurry Up Tomorrow’: Why Abel Tesfaye Created a Dark Fictional Backstory for His Music and The Weeknd Persona
  Indie Wire
• Newport Beach TV Fest to Honor ‘Landman’ with Outstanding Drama Series Award
  Indie Wire