Film News 2024-09-17

• ‘Never Let Go’ Review: Halle Berry Protects Her Sons from Invisible Evils in Horror Flick About the Contradictions of Parenthood
  Indie Wire
• Emmys Viewers Rebound from Strike-Delayed January Show’s Record Low
  Indie Wire
• Lionsgate Has Something to ‘Crow’ About — It’s #1 on PVOD; McG’s ‘Uglies’ Leads Netflix
  Indie Wire
• Todd Solondz Says Philip Seymour Hoffman Landed ‘Happiness’ Role in Part Due to His ‘Clammy’ Hands
  Indie Wire
• The Criterion Collection Announces December Releases, Including 4K Editions of ‘No Country for Old Men’ and ‘Paris, Texas’
  Indie Wire
• ‘Monsters’ Co-Creator Explains Why Time Is Right to Revisit Menendez Brothers Case: ‘Finally Have a Vernacular’ to ‘Discuss Sex Abuse and Mental Health’
  Indie Wire
• Tim Burton Lowered the ‘Beetlejuice Beetlejuice’ Budget by Nearly $50 Million to Avoid a Streaming-Only Release on Max
  Indie Wire
• Tyler, The Creator to Make Film Debut with Josh Safdie’s ‘Marty Supreme’
  Indie Wire
• How Can You See the Best Films from This Year’s TIFF? And Other Burning Festival Questions
  Indie Wire
• Canadian Directors Guy Maddin and Matthew Rankin Bond Over Susan Sarandon’s Stolen Earrings, the Marx Brothers, and Winnipeg
  Indie Wire
• ‘Shōgun’ Shows How Specific Storytelling Is Great Storytelling
  Indie Wire
• Woodstock Film Festival 2024 to Honor Paul Schrader with Maverick Award
  Indie Wire