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Film News 2024-06-10
Glenn Powell Believes ‘Twisters’ Has ‘One of the Most Incredible Action Sequences of All Time’: ‘The Most Physical Thing That I’ve Ever Done’
Indie Wire
Geena Davis Says Diversity and Inclusion Are ‘Inherently Not Controversial’: ‘You Should Be Able to Watch a Movie and See Yourself Reflected Back’
Indie Wire
‘Monarch’ Finally Made Wyatt Russell Work with Dad Kurt After Years of Refusing: ‘I’ve Avoided It My Whole Life Because of Comparisons’
Indie Wire
Kelsey Grammer, David Oyelowo, and Matt Bomer Celebrate the Endless Search for Artistic Authenticity at IndieWire’s Consider This Event
Indie Wire
‘Jazzy’ Review: Morrisa Maltz’s Spiritual Sequel to ‘The Unknown Country’ Is a Dreamy Journey Through Coming of Age
Indie Wire
The Shyamalan Sisters on Their Dad’s Influence: ‘He’s Just a Super Involved Parent’
Indie Wire
‘Bad Boys: Ride or Die’ Rides Alone on a Record-Low June Weekend
Indie Wire
Jake Gyllenhaal Wants Roles That ‘Freak Him Out a Bit’: ‘The Feeling I Want to Have Is, Can I Do it?’
Indie Wire
Inside Glen Powell’s ‘Hit Man’ Transformation(s): From Dorky Professor to Sexy Bad Boy on a 30-Day Shoot
Indie Wire
Michael Angarano Was Determined to Make His New Film ‘Sacramento’ No Matter What: ‘This Movie Has This Weird Cosmic Energy Around it’
Indie Wire
‘Sacramento’ Review: Michael Cera Freaks Out About Having a Baby with Kristen Stewart in Michael Angarano’s Slight but Satisfying Road Comedy
Indie Wire
‘Vulcanizadora’ Review: Joel Potrykus Blows Up Middle Age in Bleak and Shocking Style
Indie Wire