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Film News 2023-11-15
‘Napoleon’ Review: Ridley Scott and Joaquin Phoenix Deliver a Film That Works Better as a Comedy Than a Historical Epic
Indie Wire
In Brutal Oscar Entry ‘The Promised Land,’ Star Mads Mikkelsen Says Plenty with Near-Silence
Indie Wire
How to Become a Vimeo Staff Pick: The Selection Team Reveals Their Approach
Indie Wire
Does Marvel Have a Gen-Z Problem? Just 19% of ‘The Marvels’ Audience Was 18-24
Indie Wire
Music for ‘Furious Jumpers’ — Preview the ‘Poor Things’ Soundtrack with an Exclusive Track
Indie Wire
David Fincher Finally Gets a Netflix Hit with ‘The Killer’
Indie Wire
Jeremy Allen White Didn’t Know If It Was ‘Physically Possible’ to Transform into the Texas Tornado for ‘The Iron Claw’
Indie Wire
Christopher Nolan Encourages Owning ‘Oppenheimer’ Blu-ray ‘So No Evil Streaming Service Can Come Steal It from You’
Indie Wire
‘A Murder at the End of the World’ Is a Curious Interrogation of Obsession, Distraction, and Death
Indie Wire
‘The Lady Bird Diaries’ Documentary Stylishly Brings History to Life — Including an Infamous Encounter with Eartha Kitt
Indie Wire
WTF Is Taking So Long for Lionsgate and Starz to Split Up?
Indie Wire
Adam Driver Laughs Off Audience Member Who Called ‘Ferrari’ Racing Scenes ‘Cheesy’: ‘F*ck You’
Indie Wire