Film News 2023-09-09

• ‘Reptile’ Review: New England Thriller Isn’t Cold-Blooded So Much as Lacking a Pulse
  Indie Wire
• ‘Donkey Skin’ Uses the Power of Song to Remind the World That Incest Is a Massive Bummer
  Indie Wire
• ‘Dumb Money’ Is a Smart and Funny True Story About the GameStop Craze
  Indie Wire
• ‘Dumb Money’ Review: Craig Gillespie’s Rousing GameStop Comedy Is Also a Weirdly Moving Tale of Working Class Solidarity
  Indie Wire
• ‘Backspot’ Review: ‘Reservation Dogs’ Star Devery Jacobs Soars in Thrilling, If Overstuffed Cheerleading Drama
  Indie Wire
• ‘The Dead Don’t Hurt’ Review: Vicky Krieps Anchors Viggo Mortensen’s Droning Western Drama
  Indie Wire
• WGA Willing to Make a Deal with Individual Studios Outside of AMPTP
  Indie Wire
• ‘Silver Dollar Road’ Review: Raoul Peck’s Documentary of Black Land Loss Is Too in the Weeds
  Indie Wire
• ‘Les Indésirables’ Review: Ladj Ly’s Potent but Contrived Follow-Up to ‘Les Misérables’
  Indie Wire
• Hayao Miyazaki’s ‘The Boy and the Heron’ Is Studio Ghibli and GKIDS’ Biggest Marketing Challenge Yet
  Indie Wire
• ‘The Contestant’ Review: A Harrowing Documentary Revisits the Cruelest Reality TV Show Ever Made
  Indie Wire
• ‘Taylor Swift: The Eras Tour’ Has a SAG-AFTRA Interim Agreement, Duncan Crabtree-Ireland Tells Us
  Indie Wire